Identify the location of a note on the low E-string in under 5 seconds
Call out a the name of a given note on the low E-string using sharp names in under 3 seconds
Call out the name of a given note on the low E-string using flat names in under 3 seconds
Module 2 - Learn the Notes on the A-String
Identify the location of a note on the A-string in under 5 seconds
Call out a the name of a given note on the A-string using sharp names in under 3 seconds
Call out the name of a given note on the A-string using flat names in under 3 seconds
Module 3 - Know the Shapes
Outline any chord in the C-shape in under 5 seconds
Outline any chord in the A-shape in under 5 seconds
Outline any chord in the G-shape in under 5 seconds
Outline any chord in the E-shape in under 5 seconds
Outline any chord in the D-shape in under 5 seconds
Module 4 - Know the Intervals
Outline any chord in the C-shape, and say the intervals out loud in under 5 seconds
Outline any chord in the A-shape, and say the intervals out loud in under 5 seconds
Outline any chord in the G-shape, and say the intervals out loud in under 5 seconds
Outline any chord in the E-shape, and say the intervals out loud in under 5 seconds
Outline any chord in the D-shape, and say the intervals out loud in under 5 seconds
Module 5 - Identifying Major Chords
Identify the location of 3 different major chords in the C-shape, and say the intervals out loud for each one. You have 10 seconds for each chord.
Identify the location of 3 different major chords in the A-shape, and say the intervals out loud for each one. You have 10 seconds for each chord.
Identify the location of 3 different major chords in the G-shape, and say the intervals out loud for each one. You have 10 seconds for each chord.
Identify the location of 3 different major chords in the E-shape, and say the intervals out loud for each one. You have 10 seconds for each chord.
Identify the location of 3 different major chords in the D-shape, and say the intervals out loud for each one. You have 10 seconds for each chord.
Module 6 - Converting Major Chords to Minor Chords
Identify the location of 3 different major chords in the C-shape, and convert to a minor chord. You have 10 seconds for each chord.
Identify the location of 3 different major chords in the A-shape, and convert to a minor chord. You have 10 seconds for each chord.
Identify the location of 3 different major chords in the G-shape, and convert to a minor chord. You have 10 seconds for each chord.
Identify the location of 3 different major chords in the E-shape, and convert to a minor chord. You have 10 seconds for each chord.
Identify the location of 3 different major chords in the D-shape, and convert to a minor chord. You have 10 seconds for each chord.
Module 7 - Chord Tone Targeting for the I chord
Improvise freely in pentatonic position #1, and land on a chord tone of the I chord, every time the I chord occurs. Do this for 1 minute straight, in 3 different keys.
Improvise freely in pentatonic position #4, and land on a chord tone of the I chord, every time the I chord occurs. Do this for 1 minute straight, in 3 different keys.
Improvise freely in a 3-note-per-string pattern, and land on a chord tone of the I chord, every time the I chord occurs. Do this for 1 minute straight, in 3 different keys.
Module 8 - Chord Tone Targeting for the I chord and the vi chord
Improvise freely in pentatonic position #1, and land on a chord tone of the I chord and the vi chord, every time the I chord and the vi chord occur. Do this for 1 minute straight, in 3 different keys.
Improvise freely in pentatonic position #4, and land on a chord tone of the I chord and the vi chord, every time the I chord and the vi chord occur. Do this for 1 minute straight, in 3 different keys.
Improvise freely in a 3-note-per-string pattern, and land on a chord tone of the I chord and the vi chord, every time the I chord and the vi chord occur. Do this for 1 minute straight, in 3 different keys.
Module 9 - Chord Tone Targeting for the I, vi, and IV chords
Improvise freely in pentatonic position #1, and land on a chord tone of the I, vi and IV chords, every time theĀ I, vi and IV chords occur. Do this for 1 minute straight, in 3 different keys.
Improvise freely in pentatonic position #4, and land on a chord tone of the I, vi and IV chords, every time theĀ I, vi and IV chords occur. Do this for 1 minute straight, in 3 different keys.
Improvise freely in a 3-note-per-string pattern, and land on a chord tone of the I, vi and IV chords, every time theĀ I, vi and IV chords occur. Do this for 1 minute straight, in 3 different keys.
Module 10 - Chord Tone Targeting for the I, vi, IV and V chords
Improvise freely in pentatonic position #1, and land on a chord tone of the I, vi, IV and V chords, every time theĀ I, vi, IV and V chords occur. Do this for 1 minute straight, in 3 different keys.
Improvise freely in pentatonic position #4, and land on a chord tone of theĀ I, vi, IV and V chords, every time theĀ I, vi, IV and V chords occur. Do this for 1 minute straight, in 3 different keys.
Improvise freely in a 3-note-per-string pattern, and land on a chord tone of theĀ I, vi, IV and V chords, every time theĀ I, vi, IV and V chords occur. Do this for 1 minute straight, in 3 different keys.
Ā
Bonus Course - The "5 Patterns Approach"
Module 1 - Improvising in Pentatonic Position #4 (easy to medium)
Jam in Pentatonic Position #4 in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam in Pentatonic Position #4 in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam in Pentatonic Position #4 in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Jam in Pentatonic Position #4 in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Module 2 - Improvising in Pentatonic Position #5 (easy to medium)
Jam in Pentatonic Position #5 in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam in Pentatonic Position #5 in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam in Pentatonic Position #5 in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Jam in Pentatonic Position #5 in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Module 3 - Improvising in Pentatonic Position #1 (easy to medium)
Jam in Pentatonic Position #1 in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam in Pentatonic Position #1 in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam in Pentatonic Position #1 in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Jam in Pentatonic Position #1 in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Module 4 - Improvising in Pentatonic Position #2 (easy to medium)
Jam in Pentatonic Position #2 in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam in Pentatonic Position #2 in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam in Pentatonic Position #2 in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Jam in Pentatonic Position #2 in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Module 5 - Improvising in Pentatonic Position #3 (easy to medium)
Jam in Pentatonic Position #3 in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam in Pentatonic Position #3 in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam in Pentatonic Position #3 in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Jam in Pentatonic Position #3 in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Module 6 - Improvising Across the Entire Fretboard Using CAGED Shapes as Your Reference (easy to medium)
Jam using the entire fretboard in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam using the entire fretboard in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (quarter notes)
Jam using the entire fretboard in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Jam using the entire fretboard in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (eighth notes)
Module 7 - Improvising Across the Entire Fretboard Using CAGED Shapes as Your Reference (hard)
Jam using the entire fretboard in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (triplets)
Jam using the entire fretboard in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (triplets)
Jam using the entire fretboard in 3 minor keys for 1 minute straight, not hitting a single 'wrong note' (sixteenth notes)
Jam using the entire fretboard in 3 major keys for 1 minute straight, not hitting a single 'wrong note' (sixteenth notes)
